Sunday, March 2, 2008
Ben
Friday, February 29, 2008
Peter
Thursday, February 28, 2008
Response from Kiley
~Kiley~
Tuesday, February 26, 2008
To answer a question...
Monday, February 18, 2008
Wednesday, February 13, 2008
Cameron
Tuesday, February 12, 2008
Awesome blog!!!
Your blog was very interesting and informative. Everything that you wrote about was totally new to me, and I learned a lot. Most of the artists that you mentioned I had never even heard of! Your blog was well written and very creatively designed. I was really able to follow your thought process. At first, you were focusing on Old and New School artists in particular. Then you focused on the degradation of women. And then, once you found the CNN source, you channeled your research until you reached a conclusion. I don't have any suggestions for your blog. It is really good. You included a lot of useful information, and you clearly and fully explained why you used each source. Also, I definitely agree with your conclusion. Not all rap is bad, but there as certain aspects of it (like Gangster Rap) that become really popular and influence the rest of the genre. Excellent job! Oh, and by the way, I didn't get a chance to vote on your poll, but I would have voted for country :) !
Chloe
CONCLUSION
Monday, February 11, 2008
Gangsta Rap
CNN: Is Hip Hip Art or Poison
~GRANDMASTER CAZ, RAP PIONEER DJ: All these guys were out talking black nationalism and then here comes gangster rap where we're shooting and talking about liquor and drugs and this and that and the whole black movement went out the window.
There are also these quotes that impact my research:
~HURT: What you're seeing mostly, though, is you're seeing repetitive images of women as boy toys, as sex kittens, as sex objects, and I think that's a problem. ZAHN: But hip hop mogul Russell Simmons maintains that rap simply mirrors the problems in the real world. RUSSELL SIMMONS: We're a violent and over-sexed country. That's all sad truth, you know. That was our reflection sometimes, a reflection of our sad truths.
I Guess it is the truth when you say that it mirrors the problems in the real world, but maybe the problems started to get worse with this type of music. There is a DJ that they interview on the show as well. His name is Corey Condrey. He is only of the first Hip hop Dj's to play Hip Hop music mainstream on the radio. So he has a big choice to make. To play the hip hop that could negativly effect our communities or be a positive influence on youths minds:
NGUYEN: You know what I find is really fascinating about you is you've take a stand. You've done it personally. You left the number one show to be on this new show. Tell me why. CONDREY: It needed a change. It got to the point where I wasn't really agreeing with all the things I was doing. NGUYEN: And that's hard because it's your job to play the music. CONDREY: Sure. What happens is the deejay actually has to play what the program director says play. It got to point I was sitting back like should I keep playing this music? Should I keep doing it? I'm not saying that all hip-hop is bad. I watched the segment. Is it art? Is it poison? All hip hop isn't bad. Not all.
He Left his job because the hip hop was sending such bad messages and he did not agree with it. Later in the segment he says the he loves hip hop:
CONDREY: Sure. I don't go to work. I go to life and I think a lot of times, people get up in the morning and they go to work. I got to live. To see a soul get saved is like the greatest thing. Salvation is the biggest miracle that can ever take place. When you can sit back, radio is designed for the community. It was always designed for the people, for the community. And when you can sit back and take what we're doing with the spirit of hip-hop and go into the community and embrace the community, then the hip hop generation can change it. NGUYEN: Should more deejays take on this responsibility do you think? CONDREY: Absolutely. I believe what has happened with hip hop is hip-hop doesn't have father figures. It's a lot of people that have grown up in hip hop and they don't have dads in their life. So what happens is you have now a hip-hop generation raising that little girl, that little boy right now. And so what happens is when hip-hop is raising up and then you see the videos, you said that's it. That's what I'm supposed to be. How can you tell a man to be a man of God when there's no man in the house?
All of the points he is making is helping me figure out what hip hop really is, and what happened to it over the years.
Misrepresenting Women
Wednesday, February 6, 2008
Mrs. Jewitt
Tuesday, February 5, 2008
Someone With the Same Opinion

Hip Hop different then Rap?
Early Hip Hop
Monday, February 4, 2008
Mrs. Jewitt
If an artist has lasted from old school to new school has he/she changed their music to fit whats popular?

Sunday, February 3, 2008
Ben
Saturday, February 2, 2008
Maybe it does depend on the artist and not on whether it is old school or new school?
by: Kevin R. Scott
I've always loved when a producer and an artist collaborated on the creation of a sound that was unique and cohesive; when a seamless partnership was the definition of the album ultimately released. Those types of dream teams have existed for years and will continue to be formed. Michael Jackson and Quincy Jones, Missy Elliot and Timbaland, Eminem and Dr. Dre, and even Brandy and Rodney Jerkins are all perfect examples. And there are many more. The albums that have been produced out of these musical think tanks have become the benchmarks for measuring critical acclaim. Each generation has its music revolutionaries; anomalies that elevate the genre. With his soon to be released and highly anticipated Late Registration we are being seriously asked to consider Kanye West, single-handedly, as one of them. The most significant characteristics of such an artist is the way that they seamlessly combine their mastery and love for the spectacle of performance with their skilled, organic compositions and arrangements; in other words being both an artist and producer. The release of Late Registration will be the litmus test that determines if he is truly ready for the curriculum of geniuses. Long before the release of The College Dropout in 2004, Kanye had produced enormously successful anthems such as Jay-Z's "Izzo (H.O.V.A .)", Alicia Key's "You Don't Know My Name" and "Stand Up" for Ludacris. His work as a producer was stamped with approval when Roc-A-Fella records picked him up for his more than buzzworthy ability to blend old school R&B samples and live instrumentation on a hip hop production. This skill set alone is only half of Kanye's musical aptitude but it may prove to be the footprint of his impact on music. Testimony of Kanye "The Great" as a producer can be found not only in the discographies of new artists like John Legend and Keyshia Cole, but his baller status is even further heightened, as he is in demand by a myriad of music executives to save or resurrect the careers of heavyweight veterans like Janet and Mariah Carey. Kanye's often imitated style and approach to production is what has kept him at the top of the game. His official biography states that he left the production booth to focus on his "tremendous talents as a lyricist and songwriter." A statement of that magnitude signifies that this man not only has something to say but that he is uniquely qualified to deliver it. His new video and single, "Diamonds from Sierra Leone" is the first offering from Late Registration and it reassures Roc-A-Fella that a Plan B to combat the sophomore jinks isn't even necessary. The production on "Diamonds" is signature Kanye. The lyrical style is conversational. The message is inspired. It proves that Kanye, though a college drop out, actually learned something, even if it's from the school of hard knocks. However the skeptic in me makes me wonder if it's enough. Is Kanye really here to change hip hop as we know it? Thankfully, he believes that he is. He believes that his music is medicine, like a cure for cancer. Compared to the other hip hop enlightened prophets, Kanye is still in grade school. But that may not be a criticism; it may be a testament of the growth and movement we can expect to experience. Commercial success aside, has Kanye been a breakthrough? Is his creative duality organic enough to cause the well needed paradigm shift in hip hop? He has been called the most important figure in hip hop today. He has proven himself as a producer however I am still standing with baited breath to see if he is indeed the revolutionary of modern music that he has been proclaimed to be. Late Registration is not only his latest solo project but his latest attempt to prove to naysayers, me included, his worth. Maybe Kanye is the greatest artist slash producer of our generation; maybe he does combine that rare creative schizophrenic genius that we are currently punishing Lauryn for. Or… maybe not. Late Registration hits stores August 30.
The article added to this is all about the famous Kanye West. He goes against everything that I have thought before this point (which was that old school was about the music and new school is about pleasing the audience and molding the minds of kids in the wrong way). Kanye West is true to his music and writes about what he knows and believes in. His music is also different then most rappers of this time era (in other words he does not talk about sex, drugs, and cars). Kanye writes about things that we can all relate to, like the hardness in life, and his life, god, and more. He is someone that will be remembered for the right reasons. He represents what he believes in, like his song Jesus Walks, he is a religious man and this just shows how dedicated he is to his religion. He also goes against the grain, he is doing something different then the majority of rappers are doing, that is risky because he could end up selling no records because people are expecting the explicet style of today. This proves a different point in my thesis, there is a chance that maybe hip hop has not changed for the worst, but that it just depends on the artist, I will try to find more informaiton to back this up.
Friday, February 1, 2008
Comment
Michael
Comment from Erin
~Erin
Stuff I never knew before!
Is there a difference between Hip-Hop and Rap? I also totally agreed with the fact that out of those 49 people, only 6 of them are known to kids. I probably only know about 6 or 7. I am interested about learning more about Hip Hop and whether old school or new school is better.
~Sara
Wednesday, January 30, 2008
Here and now...
Many of the most popular songs of 2007 were from Hip Hop artists. For example one of the biggest songs was a song most people known called "Crank that Soulja Boy" from Soulja boy Tellem. In this song, the content is mostly explaining a dance, that pretty much is just appealing to the public. If someone that was a real artist writing their own songs, then wouldn't you think they would write about
something more meaningful to them, not just to appeal to an audience. I believe that is what popular hip hop has turned into. Also, A big hip hop artist of this year being featured in an emence amount of the most popular songs of 2007 is T-Pain. The song he did by himself a year or so ago was called "I'm in love with a stripper". Now, this song is
nothing more then degrating women and just vulgar words that are not needed to prove his point, I mean if your really in love with a stripper T-Pain, you wouldn't be talking about how you love her body...come on. Let's look at MIMS song "This is why I'm Hot". Well that title pretty much tells you what he is repeatedly saying throughout the entire song. How is that really interesting? I think Hip hop is being degrated to something that is just something to dance and jam to. Not so much an important form of music.
Back in the Day...
The "Pioneers" of the Hip Hop culture are the ones that started it all. To name the most influencial people in hip hop here they are: Afrika Bambaataa the "godfather of Hip hop", The Beastie Boys (the first major all white hip hop crew), Beat Junkies, Davey D, Doug E. Fresh, Dynamic Rockers/Dynamic Breakers, the Electric Boogaloos, Eminem, Fab 5 Freddy, Cypress Hill, Fubu, Sugar Hill Gang, the Fugees, Grandmaster Flash, Grandmixer DXT, MC Hammer, Hype Williams, Invisibl Skratch Piklz, Jay-Z, Karl Kani, Kool Herc, KRS-One, Kurtis Blow, Marley Marl, Master P, LL Cool J, Missy Elliott, NOGA, Native Tongues, New York City Breakers, Notorious B.I.G., NWA, P. Diddy, Public Enemy, Queen Latifah, Rakim, Rock Steady Crew, The Roots, Run-DMC, Russell Simmons, Salt-n-Pepa, Snoop Dogg, TAKI 183, Tupac Shakur, UGA, Will Smith, Wu-Tang Clan, and X-Ecutioners. Now this is a VERY long list of Hip Hops Finest, but I felt if I was going to go through the process of comparing some of them to all new Hip hop stars then I would need the best, and that included all of them. Out of these about 49 Hip Hop legends about 6 are still putting out recent records and kids in highschool and younger would know (as a generalized statement) only about these 6. Is there a specific reason (besides death) that only a select few are still going strong in the hip hop industry? It could be because they changed their old school ways to fit the audience now. I will look at that further.
Tuesday, January 29, 2008
Which is more relatable to the audience, old school or new school hip hop... or maybe it depends on the artist?
BIG NAMES THAT STARTED IT ALL
